Poking the Muse: Weird, Wacky, or Wonderfully Worthwhile?

Poking the Muse: Weird, Wacky, or Wonderfully Worthwhile?

Poking the Muse: Weird, Wacky, or Wonderfully Worthwhile?

The Muse can be a fickle and cantankerous beast. Give it a deadline and it will run away and hide behind any number of obstacles and excuses, be it a flu virus, a family crisis, or the sudden need to binge watch six seasons of a thirty-year-old television series because, you know, you can never experience too much historic authenticity in research mode … (a worthy cause according to The Right Honourable Idle Pro Crastination). Yet that same muse will shove its stubborn creativity under your nose when you’re trying to grocery shop, work the 9 to 5, drive a car, cook dinner, shower, catch up on desperately needed sleep, or during any number of awkward and inappropriate moments.

Despite her unpredictable (and unreliable) nature, I’ve learned to truly appreciate my creative writing muse. Her weird, wild, wasteful, wistful, and wonderful moods have inspired some worthwhile words over the years—not to mention several truly wacky ideas.

But hey, I love her anyway.

When we first met, I thought my muse was amazing—funny, clever, sophisticated—and, with my typing prowess, we had to be a match made in heaven. First love …

is blind.

Truly great relationships don’t just happen. Ours was no exception. Our relationship needed nurturing. It took time and effort for us to discover each other and to develop an understanding of each other’s hopes and dreams. It demanded tolerance, patience, persistence, perseverance, and mutual respect (we agreed Alliterers Anonymous meetings didn’t work for either of us).

We spent our courtship hours creating quick responses to writing prompts for uni, socialising with other writers (and their muses), dreaming and scribbling together, chatting about all the wonderful places we could visit, all the friends we’d make along the way, arguing over which of us would take the rap for the characters we planned to kill off, choosing cream and white sheets to make up our literary bed, picking out names for our book babies …

Licence To Die GRUnGE.001

Though I speak tongue-in-cheek, for a writer, the relationship between inspiration and actual, useful text on a page requires active encouragement, engagement, and frequently, some outside assistance (like education and counselling). Poems, flash fiction, memoirs, novels, informative and/or inspirational works of non-fiction don’t magically arrive, perfect and mature, on the first draft. It takes informed effort to transform ideas into useful and entertaining literature. For this reason, I say kudos to every writer who perseveres to improve their craft.

But today, I don’t want to focus on the hard slog of editing and perfecting. I simply want to rejoice in that crazy, delightful ‘something’ that calls and inspires people to write. I want to celebrate the huge variety of writing styles, voices, forms, and expressions arising from the relationship between muse and writer. I want to sing and splash around in the bubbling flow that springs to life when the muse turns on the faucet. I want to thank God for it. Thank him for the fun and the frustration alike. Thank him for the solid, worthy ideas that translate into powerful text. And thank him for the absurd, quirky ideas that remind me to embrace the momentum of words and enjoy the ride.

Speaking of quirky ideas, 10% of the marks for some of my creative writing university subjects were earned by completing ‘Quick Writing Exercises’. Students were required to read the prompt, write for ten minutes by the clock, post the piece to the forum, and engage in mutual feedback and discussion. I found the challenge daunting at first, but also very fruitful, because it taught me to think beyond the obvious, to stretch my imagination, to get words on the page without stressing about their initial quality (big ask for a pedant and perfectionist) and, ultimately, to not only discover my ‘voice’ but to trust and treasure it. But you know what? During one such exercise, a curious character invaded my psyche with such presence and force, I knew I would have to tell Mac’s story, and Licence to Die (GRUnGE.001) was conceived.

Like all good relationships, I believe our connection to the writing craft grows in quality as we invest in it and strengthen it through engagement. If your relationship with the muse is a tad stale, if you’ve been neglecting it (willingly or reluctantly) of late and it needs a bit of a jump start, or if your muse has been persnickety, hiding behind excuses when it should be making you a cup of tea, perhaps it’s time to try a quick writing exercise or two. All it takes is a prompt not unlike the example* I’ve posted below (or a word, an image, the poke of an umbrella …) and ten minutes of your time. It’s a small but invaluable investment for such an important relationship don’t you think?

One of my favourite uni prompts was this:

*Write a piece that begins with the words, ‘I write this sitting in the kitchen sink …’

The variety of responses posted to the forum ranged from the sublime to the ridiculous, but it was a great deal of fun. Here’s what I wrote way back then. Why not give it a go? If you’re game …

Sitting in the Kitchen Sink

‘I write this sitting in the kitchen sink’ is an intriguing opening to a story. It raises so many questions at so many levels.

At level one, I consider the grammatical structure and its implications; if the absence of a full stop and capital letter is intentional and not accidental, the introduction proposes several truly mind-boggling possibilities. For example, I can envisage a scenario which quite reasonably puts me in the sink. I’ve cleaned the gable windows above my kitchen sink before and very nearly come a cropper. A landing in the kitchen sink would be a more viable option for survival than a continuance of movement downwards to the floor.

If, however, my comfortably large posterior is actually lodged in my kitchen sink, I doubt that I would have the peace of mind or inclination, given the unlikely and clearly uncomfortable circumstances, to engage myself with pen and paper and wile away several minutes, hours or days in creative composition. I suspect my first, and only, priority would be to dislodge myself from my constricted circumstances with as much haste and as little pain as possible.

At level two, conditional upon the previous assumption of grammatical correctness of course, another possible scenario involves my accidental exposure to some strange beam of light which has transformed me instantly into a midget. Or a teacup. But teacups don’t have hands, so the ‘writing’ part of the opening becomes problematic in this instance also. Perhaps the beam allows me special new skills, such as the ability to project an image across the room onto a piece of paper or onto an interactive whiteboard using purely the power of thought. That could be cool.

Of course, there’s level three, where I might not actually be me. I could be someone else. Or something else. That raises even more mind-boggling options. I could be a cockroach in search of a tasty morsel left dangling on a dirty dinner plate. If so, I am not only intelligent, but extremely skilful—and I have access to miniature writing implements, unless I intend to cocky-poo my message on the illicit bacon rind which should be residing in the bin.

I could be the mouse that I once clobbered with a rolling pin and then drowned in the kitchen sink. (Ick! Disgusting, right?) I doubt that in the midst of all that violence, with the threat of imminent death looming, I would have the presence of mind to write, not even my last will and testament. Hmm … Imagine that …

‘To my darling great-great-grand-nephew, Horatio Mousling, I hereby bequeath my summer nest in the pile of left-over roofing insulation in the rear right-hand corner of the Brown’s garage. To my cousin, Katrina Ratspring, I leave the directions to the dog-bowl at 57 Evinrude Avenue, St. Kilda …’

Sadly, given my current predicament, the creative juices just aren’t flowing as swiftly as they should. Perhaps I should play it safe—and punctuate. Therefore:

I write this. Sitting in the kitchen sink are the questionably salubrious leftovers of my husband’s first adventurous exploration into the world of gastronomic creation. I have to say, for a first effort, the dinner didn’t taste too bad. Even the aftertaste was reasonable. After the third and fourth regurgitations however, I have begun to suspect that something was not altogether kosher.

I would rise from my chair at the kitchen table and call an ambulance, but the slightest movement results in another violent altercation with my digestive system. Thus, I write this, just in case I don’t survive, so that any investigation of my demise will be straightforward.

I write this so you will know there was absolutely no ill or harm present in my husband’s intent. He’s just never tried to cook anything more adventurous than a fried egg before! 

As for the lengthy verbosity of my report, I simply offer, in my defence, that I never do my best writing when I’m throwing up.

© Mazzy Adams

(Adapted from my original blog posted  Christian Writers Downunder September 2019.)

Mazzy Adams: Q & A

Mazzy Adams: Q & A

Q & A: From Mazzy Adams CWD Member Interview 02/2019
Question 1: Tells us three things about who you are and where you come from.

Who am I?

I’m an evolving story—with a title change along the way. I have poetry, short fiction, creative non-fiction, and spiritual devotions published under my real name and as Mazzy Adams, the penname I adopted about four years ago. I’m also a word addict. I am totally hooked on those incredible lettered delicacies that pepper pages, tantalise tongues, trip through teeth, evoke a million images and emotions, flood curious minds with knowledge and wisdom and release springs of love, hope, compassion and understanding from responsive hearts. Not to mention, words can be oh so much FUN to play with!

Photo above: My shape poem, Maple Music,was listed as chosen by the judge in the 2013 Poetica Christi Press Poetry competition and published in their 2014 Anthology, A Lightness of Being

Where do I come from?

I’m Queensland born and bred and, after a five year dalliance with Northern Beaches Sydney, New South Wales, my husband and I settled in Toowoomba to raise our three amazing children (I look at them and marvel). I’ve also been blessed with wonderful grandchildren. Currently, I help my Maths/Science genius husband support my writing habit by working as a creative and academic writing tutor and manager in our Education Consultancy.

Question 2: Tell us about your writing (or editing/illustrating etc).  What do you write and why?

What do I write?

I’m a PAGE—Poet, Author, Genre Rebel, and Encourager—or Essayist if you prefer. At times, I’m PAGES, either because I’m writing Songs, or Scripts, or Spiritual devotions, or I’m being long-winded, at which time the E stands for Editing and the S stands for Strike that/ Slash and burn/ Stalking typos and grammar gremlins or Scratching my head and tearing my hair out.

I’ve also written a New Adult Thriller. (Throw Ludlum’s Jason Bourne into a bowl with a metaphysical worldview. Sprinkle with quirky acronyms and allegory. Add a dash of Calvin and Hobbes’ Homicidal Psycho Jungle Cat’s philosophical humour. Bake with a fertile imagination. Enjoy.)

Despite my concerns, the suspense of writing the novel didn’t kill me so I expect I’ll survive the Indie Publishing learning curve. Then, Licence to Die will be a living, breathing, deadly intriguing debut novel available in paperback and e-book—before 2019 expires. (Edit: I did survive; LTD finally hit the stores in August, 2022.)

Why do I write?

Because I can. And because I can’t not write. The urge to collate words with intention and purpose has become both a passion and a divine commission. And it’s FUN! (Yeah, even when I’m tearing my hair out.)

Question 3: Who has read your work? Who would you like to read it?

Readers of the dozen Australian, US, International print and online anthologies in which my poetry, CNF, short fiction and devotions have been published.

Also, my compassionate, encouraging, and helpful Quirky Quills writing companions. Several Beta Readers and my Editor have read the novel as a WIP.

While my children were young, I managed to woo and entertain enthusiastic audiences with my drama sketches and puppet plays (especially during the lolly meteor showers and dust storms), but technically they were hearers and viewers, not readers.

Who are my target readers for Licence to Die (and other works-in-progress I’m percolating)?

That mysterious and wondrous group recently recognised in their own right as New Adults; 16-25ish, they’ll have conquered—or be in the process of conquering—the trials and tribulations of senior schooling, university study, earning a living, or generally nailing Introductory Adulting—or giving it a good bash. Also, Advanced Adulting students (25-106ish) who remember what it was like to be a young adult, and can cope with adulting being used as a noun and a verb, not just an adjective (You’ll be relieved to know I haven’t nouned or verbed the word ‘adulting’ in the novel).

Question 4: Tell us something about your process. What challenges do you face? What helps you the most?

Process? It usually starts with a couple of words, a line of poetry, or a sentence that intrudes upon my everyday activities or my attempts to go to sleep and gives me no rest until I’ve written it down. Many of my published pieces (and my novel) began life as ‘quick writing exercises’ for my Creative Writing degree. I focus on the ideas that have promise and those that are downright demanding till I give in and write them, like Licence to Die. I either go with the flow, or formulate a plan which I modify, as flow and coherency directs.  

Challenges? The poet in me likes to slip ‘writerly’ masterpieces into the mouths and minds of my characters which I then delete for POV authenticity. Sigh! Like so many writers, balancing the financial budget also creates challenges.

I am most helped by the assurance (and reassurance) (and re-reassurance) of the Holy Spirit that this is what he wants me to do. Frequently, he uses other Christian Writers as his mouthpiece in this regard.

 

Question 5: What is your favourite Writing Craft Book and why?

I found Manuscript Makeover by Elizabeth Lyon invaluable in managing and simplifying the complex structure of my novel. I also appreciate the wealth of quality wisdom and advice available online. In terms of influence, I found Janice Elsheimer’s The Creative Call helped me realise the hand of God had written ‘writer’ into my DNA long before I learned how to read his writing.

Question 6: If you were to give a shout-out to a CWD author, writer, editor or illustrator – who would they be?

Absolutely, Nola Passmore—writer, editor, Quirky Quill and my most significant influencer. Some people won’t let you down. Nor will they let you let yourself down. Nola is one of these rare and precious friends.

Also, Iola Goulton—not only for her excellent work as copy editor for my novel, and her informative blogs, newsletters and social media links to all things writing, editing, publishing and marketing, but as a significant early influencer who, along with Anusha Atukorala, sent me out from my first Writers Conference believing I had writer’s stuffing inside me—and it wasn’t all fluff. (Now you’re singing, ‘Winnie the Pooh, Winnie the Pooh, funny little tubby all stuffed with fluff’, aren’t you?)

Question 7: What are your writing goals for 2019? How will you achieve them?

Indie Publish Licence to Die, acquiring new and necessary skills in the process. Start pushing up the word count for the next novel. I hope to achieve this one step and one day at a time.

Question 8: How does your faith impact and shape your writing?

I’ve been a Christian believer from my childhood. I survived life’s wild, stormy weather long enough to become a writer because Jesus Christ is my anchor. We’re tethered together in love and trust. Just as nothing can separate me from the love of God in Christ Jesus, so nothing can separate Christ in me from the words that I write. Sometimes that connection is overt and obvious. Sometimes it is as inconspicuous and deeply layered as the rock beneath the ocean’s currents. 

As Galatians 2:20 says, ‘I have been crucified with Christ and I no longer live, but Christ lives in me. The life I now live in the body, I live by faith in the Son of God, who loved me and gave himself for me.’ 

That sounds like a licence to die, don’t you think? And also freedom to live (the ultimate sequel). 

Scripture quoted from: Holy Bible, New International Version®, NIV® Copyright ©1973, 1978, 1984, 2011 by Biblica, Inc.® Used by permission. All rights reserved worldwide.

Through the Maze

Through the Maze

Through the Maze

As a child, I loved working my way through fun activity books, ones with colour-by-numbers or dot-to-dots. If I followed the instructions, a completed picture would emerge. Seeing my efforts come to fruition was such a thrill.

My all-time favourites were the MAZES! Helping Fido find his bone, or helping the lost bunny find his way home was more than fun; it was satisfying. I confess I rigorously planned the route in my head before my pencil touched the page, so I wouldn’t end up drawing messy detours.

Those fun activities reinforced important life lessons, like the wisdom of following directions, the blessing of assisting others, and the value of planning. These principles have helped me negotiate life with satisfaction and some success. They inform my efforts and habits as a writer.  

Writing, like many of life’s activities, can be fun, but it is not always child’s play. At times, connecting the dots is complicated and messy. Putting the ‘right’ colours in the ‘right’ places doesn’t always work out, especially when numbers are missing, or your green felt-pen runs dry halfway through the leaves. Fido bites your finger on the way to his bone. Or, like Alice in Wonderland, you chase the bunny and fall down a rabbit hole into a whole world of confusing encounters and unexpected challenges.

When it comes to life’s mazes, some walls are so high, planning the route is impossible. Dead ends leave you backtracking, or stuck in a corner, puzzled, stunned, confused and exhausted. Where’s the fun in that?

During the seven-plus years (!) of writing, editing, and upskilling so I could indie publish my debut novel, Licence to Die (GRUnGE.001), I’ve had plenty to hinder my writing progress. Midway, I had major surgery, with complications that injured my brain and left me with ‘neural neglect’, a condition where my brain lost contact with some of the nerves on the left side of my body. Two weeks after that, I discovered my left wrist was broken (how did that happen?).

I spent months stuck in a confusing maze, struggling to link the simplest of thoughts together; the big picture eluded me completely. I found myself thinking thoughts like … I don’t have to write. No-one’s making me. I could just … stop.

Then again, where’s the fun in that?

Writing may not be child’s play, but it does bring joy and satisfaction. Writing creates images with words. It orders our thinking and colours our world. It helps us connect the dots when it comes to important issues of life, faith, purpose and destiny. Writing helps us make sense of the journey, keeps us on track, and moves us forward. When we write right, we help our readers enjoy these things too.

Pushing onward through that frustrating maze produced surprising results for me too. Continuing to write whilst also developing new design and technology skills, helped rewire my brain, creating new pathways where ideas could flow. I reviewed my novel with fresh eyes and perspective and actually enjoyed giving it an overhaul. Although the messiness of life hindered my progress and satisfaction for a time, it also gave me breathing space, and permission to go easy on myself for a while. Most importantly, it reminded me that writing truly is worthwhile. And … it’s fun!

(Adapted from my original version posted on Christian Writers Downunder September 2017)

Photo images from Pixabay.

The Plan, The Thing, and The Other Thing

The Plan, The Thing, and The Other Thing

The Plan, The Thing, and The Other Things

I like a plan that comes together, don’t you? We all have them. Nicely thought out, supported by research, consultation, and advice, organised and actioned consecutively. A successful plan deserves to be celebrated, gratitude expressed for answered prayers, amazing helpers, and wonderful coincidences where things fell into place in the nick of time, modest recognition of your contribution received. Does that describe your usual experience?

If you answered ‘Yes’, please, oh please, tell me how you do it? I am keen to know because, after years of having one plan after another hijacked by circumstances beyond my control, I think I have lost that plot! Unexpected obstacles thwarted my every move. Nothing happened in a timely manner. Wise advice eluded me when I needed it most. My prayers seemed to ricochet. Without encouraging words from family and friends, I’d be a mouldering heap of blithering self-pity right now (as opposed to the tongue-in-cheek purveyor of philosophical rhetoric on how life really works that I’m trying to pull off here).

I felt like the protagonist in an experimental first draft, the arc of my character development ruled by an unruly pendulum. Who would write me into such a frustrating story? What malevolent writer would drive their precious, bookish creations to the brink of insanity or destruction to reveal truth or uncover meaning or purpose or … Oh. Yeah. I get it, now.

I get it because it’s good writers who do things like that.

And a Very Good Writer wants to write my story—and yours.

A Good Writer whose eyes saw my unformed body, and all the days ordained for me were written in his book before one of them came to be. (Ref Psalm 139:16 NIV)

A Good Writer who knows the plans he has for me, to prosper and not harm me, plans to give me hope and a future. (Ref Jeremiah 29:11 NIV)

I get it because I know that Good Writer has a purpose: that in all things he works for the good of those who love him, who have been called according to his purpose. (Ref Romans 8:28 NIV)

And the plot of his story ends very well for all who trust him to write it because, ‘He has given us new birth into a living hope through the resurrection of Jesus Christ from the dead, and into an inheritance that can never perish, spoil or fade … you believe in him and are filled with an inexpressible and glorious joy, for you are receiving the end result of your faith, the salvation of your souls.’ (Ref 1 Peter 1:3-4, 8-9 NIV)

Are you frustrated by thwarted plans and a confusing life script? I encourage you to hang in there (that’s what I’m trying to do) and trust that God has both the process and the outcome covered. After all, given the longevity and ongoing sales record of his written word, he is clearly an excellent author with a proven track record.

Here’s the thing: Although my plans go awry, my life has purpose and meaning because God created me with his purpose in mind.

Here’s another thing: Discovering his purpose, then walking in it, is proving to be a very grand adventure. It has high stakes and unexpected twists and turns, but it promises an awesome outcome.

And here’s another thing—a concept I learned while attending a Queensland Writers Centre Express Year of the Novel Course led by Veny Armanno—a useful tool for analysing a plot and simplifying or distilling a story into a synopsis. Posited by Tony Earley, the concept says a story need two pieces: The Thing and The Other Thing.

As I understand it, ‘The Thing’ is your story’s central idea or premise which, on its own, may be interesting or relatively mundane, even familiar. For example: Girl meets boy and falls for him.

‘The Other Thing’ is the approach, the twist, the extraordinary thing that gives your story zing, and takes it to another level. For example: The boy is a righteous alien from Krypton and way too busy saving the world from evil to court a brash, female journalist who is forever getting into trouble, but court her, he does. (Yeah, I’m a fan of Superman. And feel free to jump in on the allegory.)

Long story short, I’m trusting my Good Writer to carry me through life’s twists and turns. I’m kinda looking forward to the ‘zing’ that takes me to another level.

Have any interesting things (or ‘Other Things’) rocked your world recently?

 

(Adapted from my CWD blog published February 2017)

Scriptures taken from the Holy Bible, New International Version®, NIV®. Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc.™ Used by permission of Zondervan. All rights reserved worldwide. www.zondervan.com The “NIV” and “New International Version” are trademarks registered in the United States Patent and Trademark Office by Biblica, Inc.™

Never Underestimate

Never Underestimate

Never underestimate

As part of my Creative Writing studies, I completed numerous ‘Quick Writing’ exercises based on various verbal prompts and images. Here’s one of those prompts and my response to it:

Every day of the week, between 7:00 am and 8:00 am, Vince and Jack arrived at the park bench with their newspapers. Every day they grunted a greeting, sat, and read. Every day, between 8:00 am and 9:00 am, as one finished reading his newspaper, he would fold it, tuck it under his arm, stand, mumble a farewell and leave.

Sometimes Jack left first. Sometimes Vince left first.

Jack didn’t know Vince was an inventor whose ingenious creations languished for want of entrepreneurial investment. Vince didn’t know Jack was a lonely millionaire who intended to bequeath his millions to an animal shelter because he had no family and no friends.

Vince could have become like a brother to Jack. Jack could have enabled millions of people to benefit from Vince’s inventions.

Could have, should have, would have …

Didn’t.

All because of the one thing they did share: a failure to communicate.

Never underestimate the value of a good discussion.

I sat down intending to write this blog on a totally unrelated topic (to do with ‘the individuality of your voice’) when the memory of this particular writing exercise sat down beside me, tapped my heart, then rapped me over the head like a rolled-up newspaper and insisted I use it instead.

So, I suspect that, for whatever reason, someone out there needs another kind of prompt: my gentle encouragement to connect.

Perhaps there is someone you’ve wanted to chat to for ages and, for whatever reason, you haven’t managed it yet. Why wait? Pick up the phone and call them. Better still, invite them to join you for coffee, or a walk in the park.

Perhaps you need encouragement to connect with like-minded people, or, say, to attend a writers’ conference. That can be a great place for good discussions. Or perhaps there is a letter you’ve been meaning to send, one that will break the ice so your writing/publishing/networking boat moves forward? Today might be the right day to put pen to paper, or fingers to the keyboard and make that connection. (Preaching to myself here!)

Perhaps you need encouragement to connect with someone who can help you in some other way. Honestly, I find it so difficult to ask for help. I’ve been more thoroughly inculcated with the message that it is ‘more blessed to give than to receive’ than the one that says, ‘ask and you will receive’. Perhaps that underscored the problem I created for Jack and Vince in a moment of quick writing madness back in 2012.

Back then, I needed encouragement to find and join a writing critique group. Back then, someone I had never met in person invited me to come along and join in regular discussions about writing. And back then … I did it. I went to meet five strangers … and received five wonderful friends. I’ll never underestimate the value of creative, fun-filled shenanigans again!

Image by Nattanan Kanchanaprat from Pixabay

There is no doubt in my mind that discussing the pros and cons of my writing with other writers has helped me hone my craft and grow as a writer. Doing the same for them has … helped me hone my craft and grow as a writer! (‘More blessed to give than receive’ still rings true.) There is immense value in the mutual support offered by groups like Christian Writers Downunder. Being connected really does help.

I think I’ll finish this post with a ‘homework’ exercise our writing critique group tackled in April, 2014, one that I’d filed beside my story of Vince and Jack. Our prompt was, ‘What does your writing group mean to you?’ Perhaps you could share your response to that question as a comment below. Here’s what I wrote:

Quirky Quills is

larger than individual idiosyncrasies

the sum of corporate wisdom

the strength of forged metal alloys

the flexibility of seasoned allies

 

a cohesive, healing ecclesia

a hug for brain and heart

a canvas prepared for inspiration

brushes dipped in holy ink

 

a catalyst for action

a treasure-trove of friendship

a creative, vocal ensemble with

an infinite, lyrical repertoire

 

and the heartbeat of my social redemption.

Quirky Quills (Nola, Janelle, Sandra, Mazzy, Kirsten, Adele) celebrating the launch of Nola Lorraine’s debut novel, Scattered.

So … why not try to make that new connection?

PS: If you happen to connect with a millionaire called Jack who has money to bequeath struggling authors, please, by all means, feel free to introduce us. smile

 

Blog and comments first posted on Christian Writers Downunder September 2016.

Blessings in Gleaning

Blessings in Gleaning

Blessing in Gleaning 

I’m sure I am not alone in my belief that the best stories are layered with treasures. Some are obvious. Others await discovery. Every reader is, in a sense, a treasure hunter. Not all seek the same treasure, or look for it in the same way, or value the same things. Which means … the potential to glean a reward from time spent reading is … unlimited. How exciting is that! A thousand readers can read a story, and still leave rich pickings for the next thousand. And every reader that finds a literary treasure will likely return to that particular field again, eager to … glean.

I’m pretty sure the first time I heard the word ‘glean’ was when my mother read the Bible story of Ruth and Boaz to me from Egermeier’s Bible Story Book when I was young. (The illustration below comes from that book.) The Book of Ruth has all the elements of a great love story. It starts with the tragedy of Naomi losing her husband and both sons, shows how the care and obedience that Ruth, a Moabite, showed to her Hebrew mother-in-law combined with Ruth’s own initiative to help them overcome adversity and receive a blessed future through Ruth’s marriage to Boaz. A neat epilogue reveals that this ‘stranger and an alien’ received a place in the ancestry of King David. 

I recently unearthed another treasure in this story … the principle of gleaning.

What does it mean to ‘glean’? The dictionary says it means to gather slowly and laboriously, bit by bit, to gather (grain or the like) after the reapers or regular gatherers, or to learn, discover, or find out, usually little by little or slowly. In Leviticus chapter 19, the Bible reveals the principle of gleaning is an expression—a demonstration if you will—of holiness, as those who produced a harvest deliberately left gleanings behind for the poor and the alien to gather. Boaz’s obedience to this God-given principle released God’s blessing not only on Ruth, but upon himself; one could say that theirs was a union of holiness from the moment they met.

What does ‘gleaning’ (and Ruth’s experience of it) have to do with writing? Here are a few grains of inspiration I’ve gathered:

Ruth started from a position of desperate need, but instead of complaining, giving up, or becoming bitter, she took the initiative and went searching for something that would improve her situation. The writer’s road is not an easy one. It can be lonely and fruitless at times. Discouragement is understandable but, like Ruth, we can choose to take the initiative and search out fruitful connections (like Christian Writers Downunder) and gather nourishing solutions.

When Ruth found the field of Boaz, she recognised the value of his gleanings. Over and over and over again, I have benefited from the rich gleanings ‘left behind’ by writers and editors who already know how to produce a bountiful harvest. I have learned to return again and again to safe, productive fields … especially those which demonstrate Godly holiness … to glean from those blogs, links, social media posts, newsletters etc that are filled with wisdom and inspiration. These nourish my ability to also sow seed so that others may glean from my fields, thus spreading and perpetuating the harvest and the blessings.

Boaz was blessed, not only for his generosity, but also because he encouraged Ruth to return to his field to glean. Boy, did that produce interesting results! When Boaz shared freely from his wealth and substance, he reaped far more than a good barley harvest. He gained a wife and together they produced an amazing family legacy. To all those faithful bloggers and sharers of writerly advice and wisdom who just may, occasionally, wonder if all those freely offered gleanings are worth the time and effort it takes to produce them, I offer my heartfelt encouragement and appreciation. I pray that, like Boaz, you will be blessed, sustained, renewed … and made famous throughout the land. (We are writers, after all!)

Have you, like me, discovered safe, holy, productive fields from which you’ve gleaned writerly wisdom and nourishment?

 

Blog and comments first posted on Christian Writers Downunder May 2016.